Decoration in American Homes

he typical American, whether man, or woman, has great natural facility,
and when the fact is once recognized that beauty—like education—can
dignify any circumstances, from the narrowest to the most opulent, it
becomes one of the objects of life to secure it.
How this is done
depends upon the talent and cultivation of the family, and this is often
adequate for excellent results.
It is quite possible that so much general ability may discourage the
study of decoration as a precise form of art, since it encourages the
idea that The House Beautiful can be secured by any one who has money to
pay for processes, and possesses what is simply designated as "good
taste."
We do not find this impulse toward the creation of beautiful interiors
as noticeable in other countries as in America. The instinct of
self-expression is much stronger in us than in other races, and for that
reason we cannot be contented with the utterances of any generation,
race or country save our own. We gather to ourselves what we personally
enjoy or wish to enjoy, and will not take our domestic environment at
second hand. It follows that there is a certain difference and
originality in our methods, which bids fair to acquire distinct
character, and may in the future distinguish this art-loving period as a
maker of style.
A successful foreign painter who has visited this country at intervals
during the last ten years said, "There is no such uniformity of
beautiful interiors anywhere else in the world. There are palaces in
France and Italy, and great country houses in England, to the
embellishment of which generations of owners have devoted the best art
of their own time; but in America there is something of it everywhere.
Many unpretentious houses have drawing-rooms possessing
colour-decoration which would distinguish them as examples in England or
France."
To Americans this does not seem a remarkable fact. We have come into a
period which desires beauty, and each one secures it as best he can. We
are a teachable and a studious people, with a faculty of turning
"general information" to account; and general information upon art
matters has had much to do with our good interiors.
We have, perhaps half unconsciously, applied fundamental principles to
our decoration, and this may be as much owing to natural good sense as
to cultivation. We have a habit of reasoning about things, and acting
upon our conclusions, instead of allowing the rest of the world to do
the reasoning while we adopt the result. It is owing to this conjunction
of love for and cultivation of art, and the habit of materializing what
we wish, that we have so many thoroughly successful interiors, which
have been accomplished almost without aid from professional artists. It
is these, instead of the smaller number of costly interiors, which give
the reputation of artistic merit to our homes.
NEXT: Woman's Influence in Decoration
BEGINNING: Principals of Home Decoration
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